This is movies that are a recounting of "that time I made a shitload of money unethically exploiting an inefficiency or loophole in the system. We are talking hilarious amount of money for me, a working class joe. This epitomizes how morally bankrupt the system is. Eventually it all came crashing down and I am telling you this from a jail cell."
So, you know, we've got Big Short.
Now I am not referring to the above as plot elements, but rather it's the film-making style that unites this genre. It's got a lot of first person narrating, and "you're not gonna believe this" flashbacks, along with fairly preachy moralizing about how wrong it was that this sort of thing was allowed to go on. There's a lot of montages, and therefore a lot of well known pop-music on the soundtrack to go over these pop montages (usually of excess.)
Compare it to the non-Michael Lewis-based movie "War Dogs."
See? Very similar styles. Or, the upcoming movie "American Made" with Tom Cruise.
Now from purely the style elements, I also count the Lewis movie "Moneyball" among this genre. Obviously it's not about breaking the law, but it is about "exploiting the hell out of an inefficiency, and going from laughingstock to hailed as genius" in a way that allows a lot of these same filmic elements to work.
It's just the heist genre, stylistically, as applied to a less traditional heist. A systemic heist rather than a MacGuffin object heist.
ReplyDeleteShowtime's House of Lies applies the format to management consulting, and not coincidentally resembles a white-collar version of a classic fast-talking con man film. Non-violent Guy Ritchie by way of Steven Soderbergh's Ocean remake, set in a world where the bag of cash is now a number update on a screen. But the pacing, the music montages, the dialogue rhythms, they're all out of the heist genre playbook.